The art of the writer, like that of the player, is attained by slow degrees. The power of distinguishing and discriminating comick characters, or of filling tragedy with poetical images, must be the gift of nature, which no instruction nor labour can supply; but the art of dramatick disposition, the contexture of the scenes, the involution of the plot, the expedients of suspension, and the strategems of surprise, are to be learned by practice.

Domestic discord is not inevitably and fatally necessary; but yet it is not easy to avoid.

There is no idleness, by which we are so easily seduced, as that which dignifies itself by the appearance of business, and by making the loiterer imagine that he has something to do which must not be neglected, keeps him in perpetual agitation, and hurries him rapidly from place to place.

We suffer equal pain from the pertinacious adhesion of unwelcome images, as from the evanescence of those which are pleasing and useful.

The prospect of penury in age is so gloomy and terrifying that every man who looks before him must resolve to avoid it; and it must be avoided generally by the science of sparing.

I know not anything more pleasant, or more instructive, than to compare experience with expectation, or to register from time to time the difference between idea and reality. It is by this kind of observation that we grow daily less liable to be disappointed.

Disease generally begins that equality which death completes; the distinctions which set one man so much above another are very little perceived in the gloom of a sick chamber, where it will be vain to expect entertainment from the gay, or instruction from the wise; where all human glory is obliterated, the wit is clouded, the reasoner perplexed, and the hero subdued; where the highest and brightest of mortal beings finds nothing left him but the consciousness of innocence.