The true art of memory is the art of attention.

Great abilities are not requisite for an Historian; for in historical composition, all the greatest powers of the human mind are quiescent. He has facts ready to his hand; so there is no exercise of invention. Imagination is not required in any degree; only about as much as is used in the lowest kinds of poetry. Some penetration, accuracy, and coloring, will fit a man for the task, if he can give the application which is necessary.

Laws teach us to know when we commit injury and when we suffer it.

Many a man is mad in certain instances, and goes through life without having it perceived. For example, a madness has seized a person of supposing himself obliged literally to pray continually; had the madness turned the opposite way, and the person thought it a crime ever to pray, it might not improbably have continued unobserved.

A transition from an author's book to his conversation is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples and turrets of palaces, and imagine it the residence of splendour, grandeur, and magnificence; but when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.

A minute analysis of life at once destroys that splendor which dazzles the imagination. Whatsoever grandeur can display, or luxury enjoy, is procured by offices of which the mind shrinks from the contemplation. All the delicacies of the table may be traced back to the shambles and the dunghill; all magnificence of building was hewn from the quarry, and all the pomp of ornament dug from among the damps and darkness of the mine.

If a madman were to come into this room with a stick in his hand, no doubt we should pity the state of his mind; but our primary consideration would be to take care of ourselves. We should knock him down first, and pity him afterwards.