If you are a Jedi, just understand something: people are going to be chasing you. The Jedi Council of every city you enter is going to be chasing you. I've been accosted by the Jedi Council in Rio and everywhere else.

We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.

I don't run around shooting people. Much. I only shoot two people a year. Maybe.

If there's an interesting role that comes up as a great support role in a decent picture, then I'll do that.

I'm a character actor and that's what I do. All the roles that I've had have been mainly support roles, because character actors don't usually get the lead in movies. It rarely happens.

I understood, through rehab, things about creating characters. I understood that creating whole people means knowing where we come from, how we can make a mistake and how we overcome things to make ourselves stronger.

Those are the rules. To improvise in a movie with other people, when they're following a script, everybody has to know what's going on. I think a line or two we might change. Certainly, I do. But I wouldn't call it improvising. I'd call it fudging the lines.