I sit at home and read books. I watch movies. I watch television. I go and play golf. I don't go to nightclubs. I don't go out to dinner that often. I'm not a big party guy.

I'm sure there are a lot of Italians who refer to themselves as goombahs and greaseballs and whatever. That's what people do. It gives them a sort of familiarity that other people don't have.

Die Hard With A Vengeance shooting was a great time, because we had an interesting script. The first script was called Simon Says, and something was going on, because some days we'd get to work, but we wouldn't actually have dialogue. We would go to Bruce's Willis trailer, and they'd say, "Okay, you have to go from 168th Street to 97th Street today. We're going to do it in the cab, and Sam, you say this. Bruce, what do you want to say?" And that's how Bruce's "hey, Zeus!" thing came up.

My ass may be dumb, but I ain't no dumbass.

When I saw the script [of The Man], I saw the character and knew I could do the character. It's a relationship movie, which is also what I love to do. That's what attracts me to projects.

When the riots happened in L.A., they didn't go to Beverly Hills to trash Rodeo Drive. They trashed their own neighborhoods. It's one of those tragedies that we always see in riot situations, where the only thing that they can lash out against is the stuff that's right there in their own communities. They destroy the very things that help them survive in their own community. There is a level of futility in that.

I'm actually very ordinary, except people get to pay their money to come watch me work. The same way that we go to McDonald's.. we don't care about the guy behind the counter, but if he was doing something special, we'd pay our money to go watch him cook that hamburger.