If there's an interesting role that comes up as a great support role in a decent picture, then I'll do that.

I don't run around shooting people. Much. I only shoot two people a year. Maybe.

When people want me to sign an autograph in a restaurant, and I'm eating. I don't even have to say no, I just kind of stop and look at them ... "Oh, okay. I'll ... I'll come back."

I often think, "How many ways have I died in the movies?" I guess I can find out now. I'm always thinking of ways that I haven't died. "Well, I've been killed this way in this movie, but I haven't died this way yet." I don't think I've ever been guillotined, or anything like that.

I have a lot more energy than I used to have. I sleep better. I like the way I look in my clothes better. I don’t cramp as much. I exercise better. I think my circulation has gotten better.

We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.

Sometimes one of my ways of choosing movies that I want to do is if it's the kind of movie I would have gone to see when I was a kid, and this is a movie I actually did go see, as a kid. And I think it will be exciting for audiences to see now.