I understand the rural south because I spent a lot of time in it when I was a kid and my grandfather’s brothers were farmers and I spent time on the farm when I was a kid with them walking through the fields and working and hanging out.

I actually think it's going to be the intriguing plot [ in Black Snake Moan] point that brings people into the film.

I did play a dentist in Waiting for Guffman. I wrote the speech at the conference. In the original script, when it got to that scene, it was, 'Thank you very much. Good night.' Literally. I just thought, 'He keeps talking about this speech. The keynote address is the big thing in his life and this is too important to say, "Thank you. Good night." I think we have to see and hear him doing what he does.' So I got together with my dentist and we worked through a few things.

I don't run around shooting people. Much. I only shoot two people a year. Maybe.

Painters get up and paint. Writers get up and write. I like to get up and act. It's not a big deal. It makes me happy.

I sit at home and read books. I watch movies. I watch television. I go and play golf. I don't go to nightclubs. I don't go out to dinner that often. I'm not a big party guy.

I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.