I'm actually very ordinary, except people get to pay their money to come watch me work. The same way that we go to McDonald's.. we don't care about the guy behind the counter, but if he was doing something special, we'd pay our money to go watch him cook that hamburger.

We both [me and Eugene Levy] come from the same place. Eugene did most of his work in SCTV and ensemble situations. I'd done all this theater work before I got into movies and ensemble situations. We both learned how to develop characters and interact with other people in a unique and economic sort of way.

I was desperate on Coming To America set - not to buy drugs or anything, but I had a person at home, a girlfriend who's telling you, "You're out the bills and food. You need this, you need that. And you either get it, or don't come back." That was me.

I understood, through rehab, things about creating characters. I understood that creating whole people means knowing where we come from, how we can make a mistake and how we overcome things to make ourselves stronger.

I often think, "How many ways have I died in the movies?" I guess I can find out now. I'm always thinking of ways that I haven't died. "Well, I've been killed this way in this movie, but I haven't died this way yet." I don't think I've ever been guillotined, or anything like that.

I trust most people. Not producers.

I read, watch television, watch movies, hang out with family. I like my clothes and I have great cars, and I drive those. But for most people, it's like, "That's boring. You don't club? You don't party?"