Quentin Tarantino was talking about Ordell a little bit, and I was like, "I'm sure Ordell is one of those people who thought Superfly was the greatest movie ever made." So he cuts his hair and straightens it, but he never has enough money to maintain it perfectly. So it's kind of nappy around the edges, straight and kind of puffed up. That's why he'd always keep it in a ponytail or a braid. We were just having fun and creating a distinctive character.

It was actually a lot more helpful to have Calvin Hart, a cop, as my template. He was also my technical advisor on Shaft. This time, I kinda got to go to Jersey City with him, and hang around, and watch him interact with other cops, people in the projects, and see what it means to be him. People call him 'Big Daddy' and he's this larger-than-life hero to a lot of people.

Anyone who tells you money can't buy happiness never had any.

Painters get up and paint. Writers get up and write. I like to get up and act. It's not a big deal. It makes me happy.

Take a stand for what's right. Raise a ruckus and make a change. You may not always be popular, but you'll be part of something larger and bigger and greater than yourself. Besides, making history is extremely cool.

I kind of realize that I have a tendency to choose the kind of films I watched when I was a kid and would go home and pretend with my friends that we were in those movies after we saw them.

The [Oregon] Journal in its head and heart will stand for the people, be truly Democratic and free from political entanglements and machinations, believing in the principles that promise the greatest good to the greatest number-to ALL MEN, regardless of race, creed or previous condition of servitude... It will be a fair newspaper, not a dull and selfish sheet.