Linguistics is very much a science. It's a human science, one of the human sciences. And it's one of the more interesting human sciences.

I took my writing seriously, and it seemed to pay off.

Clouds out of control decoct anticipation. What use can any of us have for two moons? The miracle of order has run out and I am left in an unmiraculous city where anything may happen.

'You spin in the sky, the world spins under you, and you step from land to land, while we . . .' She turned her head right, left, and her black hair curled and uncurled on the shoulder of her coat. 'We have our dull, circled lives, bound in gravity, worshiping you!'

Discourse says, 'You are.' Rhetoric preserves the freedom to say, 'I am not.

In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.

You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them.