She shook her head slowly. “I don’t believe you. You can’t be a cop.” “Not a cop.” “Federal agent?” “FBI.” “Even more unlikely.” “J. Edgar rolls over in his grave every day, but that’s the way it is.

If you loved people, you might hurt them, dissapoint them, anger them, but you never, ever, dishonored them.

Should men and women be equal in all things? Absolutely. But I'm old-fashioned in that I like the differences between the sexes. My male characters are neither Neanderthals nor Prince Charmings. They're flawed.

She shook her head slowly. “I don’t believe you. You can’t be a cop.” “Not a cop.” “Federal agent?” “FBI.” “Even more unlikely.” “J. Edgar rolls over in his grave every day, but that’s the way it is.

I try to weave a secret into each plot. It's the thread that holds the rest of the story fabric together. In fact, it's the reason for the story. I hint at the secret early on. Immediately I want the reader to get the feeling that something here isn't quite right. It helps maintain the suspense if a puzzling element is introduced in the first few pages of the book, but the answer isn't revealed until the final ones. Hopefully, readers want to know what the heck is really going on, and it's the desire to find out that keeps them turning pages.

i'm going to marry you. i thought you'd like to know in case you wanted to buy a dress or something.

Be prepared to work hard to be a writer.