There is a difference between executive producing and producing. Producing, you have no life for two years. You take everything personally, you want to kill everyone, you're depressed and angry, and then in the end you feel excited when it actually works. But executive producing, you can go home at the end of the day.

A sequel is such a daunting thing, because you don't want to lose the magic and the charm of the first one.

I think everything is going to be devastatingly sad - when the phone rings, I know somebody in my family's been hurt, somebody's going to die. I'm sure a therapist would go, 'That's not a good way to live,' but every time it's not that bad thing, I'm so thankful and appreciative.

I grew up in a way where I didn't realize there were limitations.I always thought I could speak my mind.

My mother always told me, 'Don't get married. Make your own life. You don't need a man.'

I can't selfishly take journeys anymore because I have to take a little boy along with me.

It's sad when you say a $30 million film is an inexpensive film, but it is.