If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.

You know, people ask, "How does the chemistry happen?" It's like being in a bar when you're drunk. You see the person, and you don't know why, it just works. And it's like everything goes in slow-motion.

To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize, so if I do something, it just has to be something I love and I don't want anyone else to do.

I've lived next door to people all my life. I don't know how cute they think I am.

I'm like the queen of planning and scheduling and I'm trying very hard to stop it. I just want to finish what I'm doing and go home. I want to have a weekend. I want to have breakfast, a stack of pancakes.

I never felt I was missing anything ever until one day I stopped long enough to smell the roses outside of this little treadmill I'd gotten myself onto and I realised there were other things that I like that I didn't know. I realised I didn't like certain things in my life that I then got rid of and it just opened the door to a plethora of other things that entered.

The rule is you have to dance a little bit in the morning before you leave the house because it changes the way you walk out in the world.