If all of a sudden someone said, 'You have five more kids,' I'd be totally OK with it.

She says that beginnings are scary, endings are usually sad, but it's the middle that counts the most.

You're never in control. That - that is the greatest fallacy of the - you know, there's over 200 people that it requires to make a film. And there's people who are in control of how you look, what your performance is, what takes are used, what - you're only in control of how you say no.

I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.

I never realized that as a woman I would be looked at as less than until I was pretty deep in this business and realized, 'Oh my God. I'm being treated this way because I'm female.

As for doing more dramatic work over comedy, I do whatever turns me on at the moment.

We just assume all the great actors are in New York first and then L.A. second, and it's so not true. There's such amazing talent everywhere. It's exciting that now that there are these sort of new Hollywoods or new filmmaking communities that really benefit from these great faces and character actors and leading actors that just are fresh and exciting and bring an authenticity to the piece.