I used to get out of bed sometimes and feel depressed and watched a lot of reruns on TV to get over it. I should have allowed myself to be a little more human and not worry about trying to be a superwoman.

I still love being creative. I still love the aspects of working together with great, talented people. But it's a weird dichotomy; I'm being blessed with more opportunities, but I'm going to be taking less of them.

I was a little worried that the familiarity would be a little weird, but I think for me everything is musical in my life. For me, timing is a rhythm.

If I can do anything in this time of my career, I want to make it easier for other actresses and girls who are growing up to go, 'I get to be a part of a comedy or an action film or a romantic comedy or a thriller or just a romance, without having to wind up with someone to complete us.' I complete me. I just got lucky that, after I completed myself, I met someone who could tolerate me.

As long as I have enough money for makeup artists, everything is okay. I feel young and very free. But one day, my face will be too old for the camera.

You're never in control. That - that is the greatest fallacy of the - you know, there's over 200 people that it requires to make a film. And there's people who are in control of how you look, what your performance is, what takes are used, what - you're only in control of how you say no.

A sequel is such a daunting thing, because you don't want to lose the magic and the charm of the first one.