Every writer I admire is my teacher. If you look at it, and if you care to read carefully enough and to read and reread a text, you teach yourself something about craft.

We started an organization that's the only sub-organization of the MacArthur Foundation and we are called the Macarturos. Usually when I win something, I'm the only one of my ethnicity to get it, but this time I met all these Latinos, and I was so excited. I'd meet someone and I'd go, [...] "Can you come to San Antonio?" And they'd go, "Oh yeah." [...] And suddenly I had twelve people that said they would come. And I didn't know how it was going to be. And that's how the Macarturos became a reality, where these very generous geniuses come to San Antonio and work together.

Don't be afraid to say what you don't know, and speak for what you do know. Say, "I can't speak for all Latinas, but I can speak for me and tell you very, very honestly."

Why don't we have people like Thich Nhat Hanh or Marshall Rosenberg and Nelson Mandela solving violent situations in a peaceful way?

For example, there's no word emocionó in English, so I have to say, "You, you really emotioned me," It's more precise, even though it sounds odd. "My father emotioned me." Or "That performance really emotioned to me."

If you're going to write about the river, you've got to get in.

I can't go to Hindu countries where they respect rats and mice, and I can't go camping. I don't like to go into subways, because I always see them. Rats are like my naguales [kindred animal spirits]. They follow me.