Creatively, I really feel like I gave it my all, and I feel ready to let her go.

And on a Canadian set, everybody is equal. You get paid the same. You live together in barracks. You have a communal kitchen. You buy and cook your own food.

In many Asian households, to not go on to higher education, that's like a big no-no. I know my parents' discouragement was for my own protection, and I'm really close to them now, but they didn't understand that there is value in this. That's because they didn't know.

I don't get jobs in films by auditioning. I'm not blonde. You can't place me in movies the way you can with certain actors. It's very difficult for my agents.

I love my hair. When I was young it had weird kinks and cowlicks in it, but I just grew into it. You grow into a lot of things.

We actors, we're a fragile bunch, and yet we need to be strong because 90% of our lives is rejection.

All the jobs I've gotten in the last two years are because directors have seen the work I've done - indie films, plays, short student films, TV - since I moved to the states in 1996. I mean, I have an entire career in Canada that nobody has seen.