I'm sure I went through a stage when I resented being Indian because in every other manner, in terms of cultural reference points and vocabulary and all the rest of it, I was way ahead of everybody else - so the one thing that set me back was being Indian. And I couldn't do anything about it.

I think family, friends and a sense of community give you greater happiness than money. But, of course, one has to have a minimum on which to live. The joy I get from sitting around and having a laugh is immeasurable - much greater than anything that I have ever bought.

Good diet and exercise are key, but abject fear has its own rewards. And arriving on the first day for rehearsals for Spamalot and seeing all these much younger, much fitter people, who I was going to be on stage with, became a catalyst for cutting out the more unhealthy aspects of my life.

There are occasions when I've had beef, but I generally tend to avoid it, as a nod towards my parents' culture.

If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.

Alan Alda and his wife Arlene are two of the most life-affirming people I've ever met. He espoused equal rights for women while producing, writing, acting in and directing M*A*S*H; he used to commute between the set and home because he didn't want to disrupt his kids' schooling.

Good drama, challenging drama - and comedy for that matter - has a place in the daytime schedule.