I don't look at rushes, or I don't go to the dailies. I don't even really look at playback unless it's an action scene or a move that I need to do better, something like that.

I appreciate the written word and spoken word more, but Atonement sort of established so much of me. It was a character that didn't really speak, and I found that a lot of the roles I was gravitating toward after that were kind of nonverbal.

I was 12 and I remember every­thing. I mean, I had done two films before that. The first was actually with Amy Heckerling. It was so brilliant to work with her on my first film. Atonement was the third one I'd done, and I remember how it felt to arrive on set every day. I remember how it felt to get my wig off at the end of the day. I remember how hot it was.

I like books that are exciting and that make you think about things, as well.

We grew up with a camera in front of us.

Learning is the most important thing, no mater how you do it, or where you do it, or who you do it with.

It's not work, it is more of a passion. It is so much fun and it is really makes you feel great at the end of the day. You feel like you are really after doing something good and you are after accomplishing something. Acting is one of these things that I can't really describe - it's just like, why do you love your mum and dad? You know, you just do.