I wouldn't go down the route of having an assistant. I don't want to be like that. I want to be normal.

When I was younger and in primary school, I'd do maybe a film a year, and I had to adapt to being away from everyone for a couple of months.

We grew up with a camera in front of us.

There's so many modern films where the fans take one side or the other. I'm hoping this isn't going to be like that; I'm hoping it isn't that kind of film at all. What I would love for the audience to take from it is to understand why she was so stuck in the middle and confused.

We've done a lot of films now about the IRA, we can move on from all that. I loved '71 because I think it showed a very honest trail and what it was actually like. It wasn't one-sided. I really respect ['71 director] Yann [Demange] for what he did. But we have done a lot of those things.

I think 'Twilight' was such a phenomenon that it will be a while before anything like that will happen again. Cause it really influenced pop culture, and the stars of it - well, the people who became stars out of it - their lives were completely changed.

When I am on set or rehearsing for the play, the only thing I can talk about is the work I'm doing. In that way, I home in on what I am doing at the time. So maybe I am a terrible multitasker.