Sometimes I think I'm a one-trick pony because I'm not very inventive about new ways of telling stories.

While we were walking around, we came to the Catholic church, and we saw that some people had set fire to carpets and banked them around the rectory, which was made out of wood. They knew every fire truck on the South Side was going to be in the park, that the rectory would just burn to the ground. Our one little act was putting out that fire.

Reviewers said Ghost Country was rich, astonishing and affecting in the way it blended comedy, magic, and a gritty urban realism in a breathtaking ride along Chicago's mean streets.

When I enter a library, when I enter the world of books, I feel the ghosts of the past on my shoulders urging me to speech. I hear Patrick Henry cry to the Burgsses, 'Is Life so dear, or Peace so sweet, to be purchased at the price of chains and slavery?' I hear Sojourner Truth tell me that the hand that rocks the cradle can also rock the boat, and William Lloyd Garrison say, 'I am in earnest, I will not be silenced.'

I look at the great poets of the Soviet Union, like Anna Akhmatova, who endured far worse then anything we've seen or hopefully that we will ever see. If they could keep writing and keep a voice alive, keep people hopeful through their poetry, then I would be ashamed to stop and to give in. It would be really self-indulgent, unacceptable, and inexcusable to walk away from it.

Sometimes life seems so painful it hurts even to move my arms.

White-collar crime gets more outrageous by the second in America.