Reviewers said Ghost Country was rich, astonishing and affecting in the way it blended comedy, magic, and a gritty urban realism in a breathtaking ride along Chicago's mean streets.

The day of the march, we were forbidden to go to the march site. The man I worked for, the Presbyterian minister, knew we would want to be sort of martyrs for the cause and risk arrest. He didn't want any of that going on. So he made us stay in the neighborhood.

I believe that to create real-seeming characters, the writer must be willing to go on a voyage of self-exploration. It can be revealing and even painful to explore your own weakness, but it gives you genuine emotion. Characters in fiction come alive because of the believability of their emotional lives and that is what I strive to create.

I had wanted to write Ghost Country for a long time, but it wouldn't work.

It's hard for me to believe that just my words on the page are enough. I ought to be out physically keeping abortion safe and legal, restoring the Fourth Amendment, getting clean water back into Kentucky since the Bush Administration has allowed strip miners to fill it all up with slag. The list is endless. Bring it down. Make it small. Make it one thing that you can do. It's very hard for me to remember that.

Sometimes I panic and think I can't really write.

I'm at the atheist end of the agnostic spectrum.