I had a fantasy as a child that I might be a writer someday. I always thought that meant you went to New York or Paris. But after that intense summer, I never thought that I wanted to live any place but Chicago. It also made me see what the stakes were in the civil rights movement. And it made me see what real hatred was like and the forms that it took. But it also made me understand how powerless ordinary people feel in their lives.

White-collar crime gets more outrageous by the second in America.

The decimation of Lebanon was showing up in Chicago as a series of restaurants and little shops, just as the destruction of Vietnam had been visible here a decade earlier. If you never read the news but ate out a lot you should be able to tell who was getting beaten up around the world.

This was a very progressive group of clergy who foresaw the race riots that were going to take place when Dr. King started helping the local civil rights community push for open housing. They were sort of hoping against hope that we could educate kids in a way that could counter some of the racist messages they were imbibing at home. I don't know whether we did any good, but it changed my life in every single way.

Heart surgeons do not have the world's smallest egos: when you ask them to name the world's three leading practitioners, they never can remember the names of the other two.

I believe that to create real-seeming characters, the writer must be willing to go on a voyage of self-exploration. It can be revealing and even painful to explore your own weakness, but it gives you genuine emotion. Characters in fiction come alive because of the believability of their emotional lives and that is what I strive to create.

Every writer's difficult journey is a movement from silence to speech. We must be intensely private and interior in order to find a voice and a vision - and we must bring our work to an outside world where the market, or public outrage, or even government censorship can destroy our voice.