I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea -- We two will pass through death and ages lengthen Before you hear that sound again with me.

My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.

No one worth possessing Can be quite possessed; Lay that on your heart, My young angry dear; This truth, this hard and precious stone, Lay it on your hot cheek, Let it hide your tear. Hold it like a crystal When you are alone And gaze in the depths of the icy stone. Long, look long and you will be blessed: No one worth possessing Can be quite possessed.

This is the spot where I will lie When life has had enough of me, These are the grasses that will blow Above me like a living sea. These gay old lilies will not shrink To draw their life from death of mine, And I will give my body's fire To make blue flowers on this vine. "O Soul," I said, "have you no tears? Was not the body dear to you?" I heard my soul say carelessly, "The myrtle flowers will grow more blue.

Time is a kind friend, he will make us old.

The poet should try to give his poem the quiet swiftness of flame, so that the reader will feel and not think while he is reading. But the thinking will come afterwards.

It is enough for me by day To walk the same bright earth with him; Enough that over us by night The same great roof of stars is dim. I do not hope to bind the wind Or set a fetter on the sea -- It is enough to feel his love Blow by like music over me.