The poet should try to give his poem the quiet swiftness of flame, so that the reader will feel and not think while he is reading. But the thinking will come afterwards.
Sara TeasdaleIf I should see your eyes again, I know how far their look would go -- Back to a morning in the park With sapphire shadows on the snow. Or back to oak trees in the spring When you unloosed my hair and kissed The head that lay against your knees In the leaf shadow's amethyst. And still another shining place We would remember -- how the dun Wild mountain held us on its crest One diamond morning white with sun. But I will turn my eyes from you As women turn to put away The jewels they have worn at night And cannot wear in sober day.
Sara TeasdaleMy theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.
Sara Teasdale