When the reader and one narrator know something the other narrator does not, the opportunities for suspense and plot development and the shifting of reader sympathies get really interesting.

When the reader and one narrator know something the other narrator does not, the opportunities for suspense and plot development and the shifting of reader sympathies get really interesting.

We'd need a miracle," he says. "A real one. Do you think those happen anymore?

A know a place called New Beginnings, but I don't think it works quite like that. You can't just erase everything that came before.

The one reader I'm trying to please as I write is me, and I'm pretty difficult to please.

Family or love or romance, whatever it is, is not restricted to perfect people. If it were, it wouldn't exist. All of that comes out in my work in some way.

When the remembering was done, the forgetting could begin.