We don't take on battles so small we know we can win, we take on battles so big we dare to dream of winning them.

The McQueen woman doesn't want to feel casual. It's not that kind of world. When you put on the clothes, they make you stand differently, feel differently. It was about how to do that but make it feel light. I've always been part of Lee's romantic side, that's what I love.

We don't take on battles so small we know we can win, we take on battles so big we dare to dream of winning them.

Every day, I love what I do and I think it's a gift and privilege to love your job.

I think maybe that as time goes by there will be more newness but because I was part of what it was before it's not like coming into a house and saying it's all about me. I don't feel like that. It really is all about McQueen and the things that he was trying to say and about moving that forward, making it relevant, making it desirable, making it into what people want to wear.

The range of genre that we is very diverse, which makes for a fun and multi-dimensional show, but creating something that flows, depending on what kind of vibe the show is going to be [loud dive bar, small theatre, festival] is a bit of an art a haphazard art at times.

I always drew dresses. I remember loving Richard Avedon's early Versace campaigns. I used to plaster my whole walls with them when I was a kid.