Really? Screaming?” He shrugged. “It wasn’t that bad. But there were definitely some freak-outs on both sides. Though, to be honest, the silence was worse.” “Worse than screaming?” I said. “Much,” he said, nodding. “I mean, at least with an argument, you know what’s happening. Or have some idea. Silence is… it could be anything. It’s just –” “So freaking loud,” I finished for him. He pointed at me. “Exactly.

I think my biggest problem, though, at least in drafts, is not repeating myself. After eight books I get worried that a character or piece of dialog might be too much like something I've already done. So it's a challenge to keep it fresh.

So he didn't have to prove how he felt about me. Like so much else, I should just know.

"What was the name of Pygmalion's sister?" She blinked, twice, obviously surprised. "Ummm," she said, keeping her eyes on me. "I don't know." Rogerson did," I told her. "Rogerson knew everything."

Nothing like being scolded by a hippie.

The thing is, you can’t always have the best of everything. Because for a life to be real, you need it all: good and bad, beach and concrete, the familiar and the unknown, big talkers and small towns.

It’s never something huge that changes the everything, but instead the tiniest of details, irrevocably tweaking the balance of the universe while you’re busy focusing on the big picture.