[T]he judicious reader ought to know what the chief character in any work of the imagination will naturally perform, according to the situation he is thrown into, as well as doth the author himself.
Sarah FieldingThe motives to actions and the inward turns of mind seem in our opinion more necessary to be known than the actions themselves; and much rather would we choose that our reader should clearly understand what our principal actors think than what they do.
Sarah FieldingI had some short struggle in my mind whether I should resign my lover or my liberty, but this lasted not long. I found myself as free as air and could not bear the thought of putting myself in any man's power for life only from a present capricious inclination.
Sarah Fielding[F]or women, like tradesmen, draw in the injudicious to buy their goods by the high value they themselves set upon them.... They endeavor strongly to fix in the minds of their enamoratos their own high value, and then contrive as much as possible to make them believe that they have so many purchasers at hand that the goods--if they do not make haste--will all be gone.
Sarah FieldingLittle miss is taught by her mamma that she must never speak before she is spoken to. On this she sits bridling up her head, looking from one to the other, in hopes of being called to and addressed by the name of pretty miss.... But if this should not happen and no one should take any notice of her, she is ready to cry at the neglect. But should there be another miss in the room caressed and taken notice of whilst she is thus overlooked, it will be impossible for her to contain her tears, and blubbering is the word.
Sarah FieldingThoroughly to unfold the labyrinths of the human mind is an arduous task.... In order to dive into those recesses and lay them open to the reader in a striking and intelligible manner, 'tis necessary to assume a certain freedom in writing, not strictly perhaps within the limits prescribed by rules.
Sarah Fielding