The supposition that it was possible for any woman to be so mean-spirited as not at least to wish to tear out her rival's eyes was too hard for the digestion of the Cry.

Yet if strict criticism should till frown on our method, let candor and good humor forgive what is done to the best of our judgment, for the sake of perspicuity in the story and the delight and entertainment of our candid reader.

[F]or women, like tradesmen, draw in the injudicious to buy their goods by the high value they themselves set upon them.... They endeavor strongly to fix in the minds of their enamoratos their own high value, and then contrive as much as possible to make them believe that they have so many purchasers at hand that the goods--if they do not make haste--will all be gone.

The motives to actions and the inward turns of mind seem in our opinion more necessary to be known than the actions themselves; and much rather would we choose that our reader should clearly understand what our principal actors think than what they do.

I was amongst the virtues like the great Turk in his seraglio of women, and I chose to dwell with that virtue which looked the fairest in my eyes and gave me at that season most pleasure. In short, I made wives of them: I first admired them, then made them my own property, and if they would not submit to my will, I again turned them off and divorced them.

Thoroughly to unfold the labyrinths of the human mind is an arduous task.... In order to dive into those recesses and lay them open to the reader in a striking and intelligible manner, 'tis necessary to assume a certain freedom in writing, not strictly perhaps within the limits prescribed by rules.

[Allegory] is a flight by which the human wit attempts at one and the same time to investigate two objects, and consequently is fitted only to the most exalted geniuses.