You can pretty much do it with anything. You can tell your life story with all the jeans you've worn, or every pair of shoes you've owned.

In "Mother-Father-God," I talk about how the new thought movement led me to be superstitious. I think that might resonate with a lot of Americans, the superstition around optimism, like 'don't say anything negative' because you might jinx yourself with your thinking.

Writing helps us heal in certain way, but it doesn't make the experience of thinking about writing that occasion any less painful. When you revisit trauma, you don't know what's going to be triggering for you because you don't know how it's connected in your mind. So in the same way when we write something, it doesn't completely resolve the experience for us. It can feel therapeutic, but that's not the reason why I do it. I do it to ask a question, or just to find meaning.

I just always felt like animals are spirit guides. I really like animals, I've always felt really drawn to them; they have this energy and magnetism.

I was interested in the ways we can write biography. When you're first starting to write about your own life it feels so shapeless because you don't know how to make your own story cohesive. How do I pluck a story out of the entirety of what it means to be alive. It occurred to me recently that when you're telling a story about your own life, rather than taking a chunk, you're kinda like lifting a thread from a loom.

When you write about people three dimensionally, it inspires a sense of empathy. That would be something that I want people to take away from all my writing, a feeling of emotionality, connection, and empathy.

Florida is kind of notorious. But also because it's a rich place. Phonetically, narratively, historically. I wanted to know Florida better and I could easily find stories. My relationship with Florida is fraught because I didn't want to be living there always, but then after I left I really missed it.