I've done four records now, and your idea of what it's going to be for that record is never what it ends up being, so there's cynicism in my outlook but there's also some positive outlook in it, like, "I can't really control anything outside of what it is that I do, so I'm going to do my very best and put my best foot forward in everything that I do." The music and whatever else comes outside of that, if something great comes out of it, awesome, if not, I'm going to make another record and another one after that. That's really all I can do.

I guess I wanted to emulate the artists that my parents were listening to when I was growing up. I've always had this affinity for folk music, and music in general, for as long as I can remember. So as soon as I could start playing shows, I did. And my parents were really supportive of me the entire time.

There's a part of me, and I'm sure every single musician that writes for themselves has this: there's a layer of precious that you have to shed. I'm constantly trying to let go of, "Well, what about this, this would be cool." Some of that is needed, but a lot of it is total BS.

Usually when I'm in the van or if there's downtime, I'll just mess around in Garage Band and work out melodies or ideas I've had in my head. There was a period where I creatively plateaued and wasn't writing at all. But I have been creatively a bit more inspired lately - it has everything to do with moving and being in motion.

I create my own schedule, so you start out each day and you say, "Okay, from 10 to 11 I'm going to write," and on the dot at 10, I went downstairs, got dressed like I was going to work, and at 11 I stopped. I don't know why, what kind of wizardry about that worked, but having the structure for a month, I was dishing out songs.

I had gotten to know the music scene there, and just fell in love with it. I've lived there a little over four years now. There's a charm to Denton. The musicians in Denton are all very talented, but they're also all very accessible and very community-oriented.

In other words, the hidden subsidies [designed to help individuals seeking college degrees] are not helping those who most need help in getting a degree. It's also helping lenders, by providing an incentive to borrow. So why not take that $22.75 billion or so that we're already spending and putting it directly toward making public higher education free?