To not have any hope is where things start to get really bleak. Things are possible. The impossible can be possible.

If I had my druthers, I would be working in all different mediums, forever.

I think it's very important for people to not judge the people you're playing. You have to find a way to love them because their story is theirs. I just don't think there would be any use in that.

That is my reality. It's that important to nurture and foster my own creativity. There are plenty of birthday parties I haven't been able to go to, weddings I haven't been able to go to because I've been working. Those are things that have not been easy to give up, but at the same time, it is my reality. It's my responsibility.

I could never have thought, "I wanna play a two-headed woman." That just never would have occurred to me, in a million years.

I'd love to be in the '70s. I'd love to have a big, long wig parted down the middle with flat-ironed hair and bell-bottoms. They're actually very flattering for my figure. The wider the leg, the better for a person with a booty.

I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.