I like that feeling in your brain when you've got seven things that you're holding in one moment-you heard that person cough, you heard that person laugh, you're also saying your line, you're also listening to the person who's talking to you.

I remember feeling the temperature change the first time the curtain came up, the difference between the audience temperature and the stage temperature. I'll never forget it.

To me, most of life kind of lives in the grey and I don't just mean morally. I just mean kind of everything. If things were black and white it would be a lot clearer as to what to do all the time.

I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.

I don't have children, but my work life is as important to me as anything could be. I've dedicated a lot of time and energy and years to it. Some might say some of my childbearing years to it. In and of itself, my work is like a child to me. That is my reality.

Anything is possible, and the truth is any human being at any given moment, no matter how good they are - not only at their job but also as a person - they're capable of anything, and it's not always a conscious thing.

The theater commitment is hard, especially in conjunction with a television commitment. That's a big, long commitment.