I was a victim of what most people are a victim of, which is really, really just gulping down what was being fed to me by the media.

I think it's very important for people to not judge the people you're playing. You have to find a way to love them because their story is theirs. I just don't think there would be any use in that.

I have friends say, "Don't you want to have a little you?" The jury's still out on that for me. I don't have a definitive answer, but I do know that I can look back on some of the things I've worked on and some of the things that have literally come out of my imagination and be just as proud of it as if I had created a person. I feel like that shouldn't be of any less value. It can't be because it's what my life is, and I don't want to make it smaller or more palatable just because society tells you to. If you can get comfortable with sacrifice, then you are having it all.

If you heard me sing, you would just plug your ears and run, screaming, the other way. I promise.

I could feel my body temperature - I knew I was bright red. It was so humiliating, I was so upset, and it was nothing I had planned to do. It was just one of those beautiful moments, the alchemy of acting that is so mysterious, where you sort of go, "How did that come out of me?"

I do like the immediacy of audience's reaction. I like when I can hear the stillness and I know that they're with us.

I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.