With being a mother, I feel like you choose how you spend your time so much more carefully - which is a good thing.

It's hard to give up that amount of control. It's scary to make yourself that vulnerable. Because you might do all kinds of things that are unplanned or are unexpected that maybe don't work, and you have to trust the director to see that and work around those things. I find it really scary.

I feel like we want women to be simpler, less complex, so we project a lot of versions of simplicity onto them to fit that.

The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.

I am aware that I've generally been more attracted to introspective roles, but it's sort of bizarre, because it's the opposite of who I am in many ways. I think I'm quite an extroverted, loud person. So it interests me that that's sort of the place that I go all quiet, is when I'm onscreen. It's a bit strange.

It's not that I don't want to become famous or that I'm obsessed by my work as an actress, but it's all about not limiting myself, such as putting myself in a little jail that I can escape from.

Film and TV is a very hard profession to enter into if you don't have the ability to take a long period of time without making money so you can write, direct or raise financing, or work your way up, often with unpaid internships. It's hard to get into without a lot of connections. You end up with a lot of white people from privilege making films. So we're seeing a lot of the same kinds of stories.