I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.

We're in this space right now where things are very precarious for women and things in the States are so terrifying. There are so many rollbacks of rights women have gained - and it can happen quickly, more quickly than we think. I think it would be good for us to think back and ahead to protect the space we're in.

Acting is something that I've done since I was so young. I always felt - certainly as a teenager - really cynical about acting. I definitely didn't feel like it was something I wanted to do, and so I really took it for granted.

I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.

I feel like we want women to be simpler, less complex, so we project a lot of versions of simplicity onto them to fit that.

My mom died of cancer when I was really young. I'm not someone who tries to work out their own stuff with a role, but I think that happened despite my best efforts to keep myself separate from it.

The ways in which people are damaged are the ways in which they're strong. It's what makes people interesting - what they've overcome and how, and what they haven't and how that's become a good thing. Almost everyone's life is both a gorgeous story and a tragedy. I think being alive is really, really hard, and I'm constantly stunned and amazed by people who make it interesting and beautiful.