I see, in women friends, a really dangerous phenomenon where it seems they reach a certain age and become invisible.

A multivalent culture is an amazing place to be writing theatre.

It's a privilege to have kids and not live your life in solitude. But we live in a child-hating culture.

Catharsis isn’t a wound being excavated from childhood.

It was important to me that people know that you can make plays and raise children at the same time - for other mothers, for other parents, for other women considering having children and who want to be working and thinking and contemplating and making things while they're raising children.

Plays are architecture, and you can make them stand in many ways that are hard to describe. And, I think, in our limited ability to describe them, we've substituted our inarticulateness for saying that there's one and only one structure.

I always thought there would be more interesting people at my wedding.