Portraying this character [Diwata] has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl "should be."

Portraying this character [Diwata] has really given me an opportunity to get in touch with that side of myself, which I haven't been for a few years. And I do know what it's like to be different from people around you and not fit into the prototypical mold of what America sort of thinks a girl "should be."

I think that's also why it's so exciting. I really believe this play is important these are issues that people don't talk about. Certainly they never talked about this type of thing at my high school. That's what makes it so hard for kids. But it is something that people do go through.

They're not allowed to talk about it at school and they maybe feel uncomfortable talking about it with their parents. But instead of them not knowing about it, now we have these gadgets and we can learn about it and not tell our parents and get ourselves into potentially dangerous situations.

You can go to these chat-lines. It's not hard it's really easy. Another thing the show makes clear is not talking about these issues is what leads kids to go on the Internet and find out the information themselves. And then they come across people like Mr. Healy wanting to meet them in the park. That's what leads to these kind of more-dangerous things.

I think the ultimate goal is that when we're off-stage, we know everything our character is thinking. Hopefully when we are on-stage, our thoughts are our character's thoughts because we really know that much about them.

When I was a little younger, I really did love musical theatre in the same hopeless dorky way that she does. I was obsessed with Jesus Christ Superstar and I used to reenact it in my room when no one was home.