I'm interested in history because it's a discipline that requires a lot of effort from the imagination. You need to put in a lot of imaginative effort to figure out how people lived in an era that is not yours. And in that understanding of people from a different era, I feel, is an important gateway into humanity. Because you understand human behavior. In order to understand humanity, history is important.

The most important part of a city is its people. In fact, people for me are like little cities. When you meet someone, it's like you've found a new city to explore. You take a tram, visit the museums and operas and cafes.

It's not my intention to be understood. I will continue writing for a readership that is fundamentally local. Because if you want to produce universal writing, you run the risk of losing your local knowledge. Your views are so universalist that the street aspect disappears.

I feel history is more of a story than a lesson. I know this idea of presentism: this idea of constantly evoking the past to justify the present moment. A lot of people will tell you, "history is how we got here." And learning from the lessons of history. But that's imperfect. If you learn from history you can do things for all the wrong reasons.

My books serve as archives of thoughts and emotions, like a tonal history that captures how I felt at a certain time of my life. It's not very informational. You're not going to get comprehensive knowledge about the Han dynasty of China or about India's Emergency. But you might learn how one person felt about the Los Angeles Olympics.

As a non-western artist, you have to ask yourself a question fairly early in your life: do I want to become a bridge maker, do I want my culture to be understood by the west? I have no intentions of doing such things. I'm fine being a little strange to a non-western audience. It doesn't bother me if my book doesn't change a generation of American readers.

I think it's really good not to get published. It sounds crazy but it's true. People want to get published very soon, but the moment that happens, you lose a bit of your originality. Once you publish, you are always doing things made-to-order. You stop being a weaver and become a tailor. You are tailoring things to suit other people's fashion.