Open discussion of many major public questions has for some time now been taboo. We can't open our mouths without being denounced as racists, misogynists, supremacists, imperialists or fascists. As for the media, they stand ready to trash anyone so designated.

Art attempts to find in the universe, in matter as well as in the facts of life, what is fundamental, enduring, essential.

I am an American, Chicago born – Chicago, that somber city – and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man's character is his fate, says Heraclitus, and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.

Myself is thus and so, and will continue thus and so. And why fight it? My balance comes from instability.

The challenge of modern freedom, or the combination of isolation and freedom which confronts you, is to make yourself up. The danger is that you may emerge from the process as a not-entirely-human creature. (Referenced in How to Lose Friends and Alienate People by Toby Young)

It is sometimes necessary to repeat what all know. All mapmakers should place the Mississippi in the same location and avoid originality.

Everyone tries to create a world he can live in, and what he can't use he often can't see. But the real world is already created, and if your fabrication doesn't correspond, then even if you feel noble and insist on there being something better than what people call reality, that better something needn't try to exceed what, in its actuality, since we know it so little, may be very surprising. If a happy state of things, surprising; if miserable or tragic, no worse than what we invent.