I started out as a fashion photographer. One cannot say that I was successful but there was enough work to keep me busy. I collaborated with Harper's Bazaar and other magazines. I was constantly aware that those who hired me would have preferred to work with a star such as Avedon. But it didn't matter. I had work and I made a living. At the same time, I took my own photographs. Strangely enough, I knew exactly what I wanted and what I liked.

In order to build a career and to be successful, one has to be determined. One has to be ambitious. I much prefer to drink coffee, listen to music and to paint when I feel like it.

When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.

If I’d only known which [photographs] would be very good and liked, I wouldn’t have had to do all the thousands of others.

I leave these speculations to others. It’s quite possible that my work represents a search for beauty in the most prosaic and ordinary places. One doesn’t have to be in some faraway dreamland in order to find beauty.

A window covered with raindrops interests me more than a photograph of a famous person.

Seeing is a neglected enterprise.