When we play on big stages, we tend to beef off the dance side of things and keep up the tempo.

Generally I'm quite picky - I usually don't approach a person unless I think we have some sort of cohesive way of working together.

When you're a producer, you don't feel comfortable trying to push a vocalist when you first start out. But for me, I like to push the boundaries of what my collaborators are comfortable with.

I've never been a fan of getting someone to sing the generic, love song lyrics and sticking on top of the feature. If I'm gonna collaborate at all, it has to be in a way that makes the track a whole and not two parts.

When we play on big stages, we tend to beef off the dance side of things and keep up the tempo.

To keep myself anonimys in the press is that I felt was the right thing to do, in terms of making music. It's just about letting people hear it and then deciding for themselves whether they want to find out more and discover it for themselves. Everything stems from that.

I've really enjoyed playing live shows, because sometimes things we'll just happen - sometimes a song will go on for 10 minutes. It always depends on the crowd. But it's always kinda different, which is cool.