Well, you put a little piece of yourself into every character that you do. Even if you're playing some psychotic person, which of course I'm not, some part of you is in that character and it's hopefully believable. I always come back to the fact that my own instinct is better than something I build in my mind.

I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.

For me, collaborating is a marriage of the minds. It's two or more people coming together and making an idea come alive. Using their own creative knowledge or creative spirit to make the best version of an idea. To inspire an idea and to challenge it to be better than just one person's vision for it.

I want to look good, obviously. I don't want to look at the screen and go, Oh, my skin looks terrible, or, I look exhausted. That's why I take care of myself when I work.

I'd rather go to the White House Correspondents' dinner than any awards show.

It's so archaic. It's just, like, bizarre to me. I feel like in 10 or 15 years' time our children are going to look back and say, 'What? You were around when gay people weren't allowed to get married?'

Every director is themselves; [they're] not playing a part.