I've been fortunate enough to travel with Oxfam several times, and they're always so well organized, so it was a good way to show the kind of work they're doing.

There are people in America who are absolutely desperate right now, who have no means to support their families, who have no opportunities to better themselves or their education - and they're not that different from the farmers and working-class people that I visited when I went to Kenya with Oxfam.

If you feel glamorous, you definitely look glamorous.

Well, you put a little piece of yourself into every character that you do. Even if you're playing some psychotic person, which of course I'm not, some part of you is in that character and it's hopefully believable. I always come back to the fact that my own instinct is better than something I build in my mind.

I've always loved Louisiana and particularly New Orleans, and I think a lot of people when they travel there, think they're home there - there are just so many spirits, it's so rich in culture. It's steeped in a true spirit of individuality that makes this country. It's the oldest part of our story, in a way. And being in that climate, it was really conducive to letting our imaginations soar. I found it to be the true inspiration.

I always check in the mirror to make sure nothing is see-through.

Whether people are in America or in Africa, people want to work. They want to have purpose. They want to provide for themselves and their families. They don't want handouts. They don't want to be completely dependent on their governments - even though there's usually no opportunity for that anyway.