You tell them what a happy ending consists of, which is always individual success. You tell them that nothing irrational exists in this world, which is a lie. You tell them that conflict only exists only to be neatly resolved, and that everyone who is poor wants to be rich, and everyone who is ill wants to get better, and everyone who gets involved in crime comes to a bad end, and that love should be pure. You tell them that despite all this they are special, that the world revolves around them.

Most people would look at an animal in a cage and instinctively feel that it should be set free. . . . It's a dangerous world out there, filled with predators. . . . What would you prefer? A comfortable, safe, warm, cosy life in a cage, or an uncertain life of freedom.

If something wants to be a story, it will be.

One of the biggest problems for beginning writers is this need to over-explain.

You can't do science in a novel, but you can do philosophy. Or, if you're really lucky, you can manage to pose a question in such a way that other people will take it on.

One minute I was playing chess and doing maths all the time, the next I had been rerouted into more 'normal' girls' activities: reading, writing stories and worrying about my clothes.

I pray for meaning. I pray for the limits of reality to become clear. For a world – and a type of being – that makes sense. I pray for a life after death that is not like this life. I pray for the end of mystery. What would a life be like with all the mysteries solved? If there were no questions, there’d be no stories. If there were no stories, there’d be no language. If there was no language there’d be no . . . What?