It's really difficult to make things, and a lot of times you don't know you're at the end of something.

Things go away and projects crumble and disappear, or you make your movie and it comes out and no one watches it.

I would say we had two goals when doing this CD. The first goal is to introduce people who have never seen the show before to the best comics that are on the show. And goal number two is to introduce people that they never heard of before and give you a bit more flavor of what the show is actually like. And those goals are very much in line with the philosophy of the show from the very beginning. It's the very best people who are out there.

That's one of the benefits of working with a smaller network like IFC. You're awarded more trust, but trust that I really earned.

We like to keep the show small. Honestly, where we moved the show to the UCB theater, we moved it to a smaller space. Even though the show has technically gotten more popular. And that is, only because we like intimacy and the ability to experiment more. We don't want to be like, "We can get 250 people in a week. So let's do that. But we have to be careful about who we book..."

When we came to the network, it was a very interesting time where Portlandia had just come on the air and had been very, very successful. I think people had Portlandia-sized expectations for Comedy Bang! Bang!, especially after the first episode was sampled by quite a large number of people. I remember getting the ratings after the first episode, and the network was over the moon about it. And then the second episode tanked so hard. Like, no one watched it. It was a resounding, "Hey, a bunch of people tried your show, and they all hate it!"

I think expressing yourself and working hard can't help but have great results. Look at Zach Galifanakis. He didn't tweet. He didn't have a podcast. He just went out and did the funniest standup you'll ever see in your life. And he was rewarded for that.