In painting, the key is not taking myself seriously to the point where it kills sincerity.

When it comes to performing and entertaining, the art removes itself from the writing.

In the music world, when we're making work, we are obligated to no longer be completely free from what we are to someone else - sort of like an athlete, where you become a role model to someone.

I think everyone on the planet is a fan of a painting because everyone is a fan of visual stimulation, but I've had freedom in the world [of painting] because I've kept it to myself.

We have to continue to grow within and outwardly. We have to keep going.

Someone like John Prine can write a song that tears into your soul, turn it over, and write a song that makes you laugh and feel light as a feather. With someone like him, you're getting a real picture of a person, a real expression.

It was Rick's Rubin idea to have the 'Brooklyn' verse repeat. It already was a story, but having that made it a folk song. Instead of this rambling march of verses, Rick understands that music needs hooks. You need that repeated chorus, that everyone can sing along to.