Not write, maybe develop. Direct, sure. As an actor, you work on so many films, you sort of start to see who directs well and who doesn't.

A cross between Leo [DiCaprio]'s character in Catch Me If You Can and ... I don't know, I really like any of his movies.

What I've discovered from working with my father is that I'm still learning. I'm just a kid in this business. And I've seen from my father transitioning into being a director, that's where the power lies. And, like he says, it's feast or famine for an actor. If you're not creating your own material, then you're just fighting for whatever's out there. I definitely have the desire to go to the other side.

For movies like The Longest Ride, I got to hang out with cowboys at rodeos and learned how to ride a bull, essentially.

He [Oliver Stone] is great. I really like working with directors who know what they want and aren't afraid to tell you, "Do it like this. Don't do it like that."

What Clint Eastwood meant was when you are directing and starring in a film, there's a temptation to spend more time on the other actors' performances, and then when you get to your own work, you kind of go, "Oh, yeah, well, let's cut that." And he said, "Take your time and make sure you do your work right." It's especially good advice if you're going from one career to another.

I think you just learn a lot of stuff in general about all the stuff he [Edward Snowden] released. I think there's probably a lot that we don't know. That's what is really interesting.