There was a play that was written by who I think is America's greatest playwright, and he wrote a small part in it for me. It was going to open in Chicago, and then go to New York. But then, he died. It was Arthur Miller. That was the reason I turned Lost down.

You can't expect a man like me to be loyal to just one woman.

Damon Lindelof said, "There are three kinds of prophets - crazy people, like the Guilty Remnant, false prophets, who just want money, sexy and power and use that to get it, and real prophets - and you're a real prophet in 'The Leftovers'. The voices that speak to you never tell you a lie." And I said, "Name me some real prophets." He said, "Buddha, Jesus and Muhammad." I said, "Which one am I?" And he said, "None of them. You're probably closer to Moses than anyone."

I love the way Damon Lindelof writes. It's almost like he was channeling me and he had my voice, even though the territory that those lines cover is unpredictable, and goes from raw emotion to laugh out loud funny but always true.

The hard part about playing 'chicken' is knowing when to flinch.

Very often, when you're playing people who love each other, or who hate each other, you manufacture those feelings. You have to do that a lot.

We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.