I'm the most computer illiterate human being that ever lived. My grandkids do everything for me, and then they say, "I won't even explain it to you, grandpa, 'cause you won't get it."

What I didn't realize about television was that's true of acting, as well. You have that space of time to develop who you are, and you can use more and more of yourself. The lines between that character that I'm playing and myself become more and more blurred and, after awhile, they just disappear, altogether.

I love the way Damon Lindelof writes. It's almost like he was channeling me and he had my voice, even though the territory that those lines cover is unpredictable, and goes from raw emotion to laugh out loud funny but always true.

At my age, to still be able to do parts that are super physical, I'm lucky. I'm doing more fun stuff now than I ever have in my life. I'm just really fortunate.

The third season of the Leftovers came along and Damon Lindelof sent me the script to Episode 3, and I called him up and thanked him for one of the greatest gifts I've been given. I had that script for almost two months, in the mountains in Idaho, before I even got on a plane and flew to Australia and went to the outback. He also told me to learn about the indigenous people in Australia and learn how to play a didgeridoo. It was just great. It was probably, in many ways, the best acting experience I've ever had.

Very often, when you're playing people who love each other, or who hate each other, you manufacture those feelings. You have to do that a lot.

The hard part about playing 'chicken' is knowing when to flinch.